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      <image:caption>Collaborative Project with the University of Washington - Seattle and The Starbucks Coffee Company at Suzzallo Library, 2017.</image:caption>
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      <image:caption>Triangulated Horizons. 48x60x3”. Wood, paint. Private Collection Austin, TX. Background: 8x24’ painting in progress.</image:caption>
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      <image:caption>Triangulated Horizons. 48x60x3”. Wood, paint. Private Collection Austin, TX. Background: 8x24’ painting in progress.</image:caption>
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      <image:caption>Image of work in progress for the Stadium Starbucks in Tacoma Washington. Completed 2017.</image:caption>
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      <image:caption>Image of work in progress for the Stadium Starbucks in Tacoma Washington. Completed 2017.</image:caption>
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      <image:caption>Photo by Madison Olds</image:caption>
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      <image:caption>Acrylic on Canvas 66x96x1.75"</image:caption>
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      <image:caption>Acrylic on canvas wrapped panel 40x40x2"</image:caption>
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      <image:title>Work - DECONSTRUCTIONS - Tower Study 1</image:title>
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      <image:caption>Acrylic on canvas 48x60x1.75"</image:caption>
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      <image:caption>Mixed media Various dimensions</image:caption>
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      <image:caption>Acrylic on canvas 60x96x1.75"</image:caption>
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      <image:title>Work - CIRCLE COMPLETE - Aerial view of the Webster House</image:title>
      <image:caption>Searching for the proper site</image:caption>
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      <image:title>Work - CIRCLE COMPLETE - Install shots of various stages of the project</image:title>
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      <image:title>Work - CIRCLE COMPLETE - Circle Complete</image:title>
      <image:caption>15'x35'x15' Various Dimensions Kiln Dried Fir Treated lumber for substructure (Orange compressor cord not included in final piece)</image:caption>
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    <lastmod>2026-02-01</lastmod>
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      <image:caption>Installation view of UP NORTH exhibition.</image:caption>
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      <image:title>Work - UP NORTH</image:title>
      <image:caption>TAKE ME FOR A RIDE 1, 14x20”, acrylic on panel</image:caption>
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      <image:caption>TAKE ME FOR A RIDE 2, 14x20”, acrylic on panel</image:caption>
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      <image:title>Work - FIRELINE - Fireline</image:title>
      <image:caption>Acrylic Panel  5'x13'x2"</image:caption>
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      <image:title>Work - FIRELINE - Charred Viewing Platform</image:title>
      <image:caption>Charcoal on charred fir 4'x8'x5" To watch the video mounted on the ceiling, the viewer had to stand on this platform. In doing so, the viewer participated in the destruction of the drawing of the house just as the fire destroyed the actual structure.</image:caption>
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      <image:title>Work - FIRELINE - Fireline installation view</image:title>
      <image:caption>Large format painting Small acrylic paintings on plexiglass Viewing platform Video mounted to ceiling</image:caption>
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      <image:title>Work - FIRELINE - SMOKE STUDY 4</image:title>
      <image:caption>Acrylic on black plexiglas 7" x 10" 1 of 10 Smoke Studies</image:caption>
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      <image:title>Work - JUXTO - Juxto Installation View</image:title>
      <image:caption>JUXTO Painting 8'x12'x2" Reflective Pool 16'x32'x5" Custom Lighting Field Recordings</image:caption>
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      <image:title>Work - JUXTO - Juxto Installation View</image:title>
      <image:caption>JUXTO Painting 8'x12'x2" Reflective Pool 16'x32'x5" Custom Lighting Field Recordings</image:caption>
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      <image:title>Work - JUXTO - Juxto Installation View</image:title>
      <image:caption>JUXTO Painting 8'x12'x2" Reflective Pool 16'x32'x5" Custom Lighting Field Recordings</image:caption>
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    <loc>http://www.oldsart.com/work-1/shipwreck-c3hf6</loc>
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    <lastmod>2026-02-01</lastmod>
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      <image:title>Work - SHIPWRECKED</image:title>
      <image:caption>WRECKED sculptural installation view with 6'x16' SHIPWRECK (acrylic on canvas covered panel) painting in the background.</image:caption>
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      <image:title>Work - SHIPWRECKED</image:title>
      <image:caption>WRECKED, approximate dimensions 12'x15'x8', interior view, wood, black acrylic, 2016</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55daaf8ee4b0c42077577e0b/1489905147059-OF72LBHAJIWDPQ89X4Y1/image-asset.jpeg</image:loc>
      <image:title>Work - SHIPWRECKED</image:title>
      <image:caption>Works in progress in the studio.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55daaf8ee4b0c42077577e0b/1483519146391-OQ7LJRJ6T8AEQ07W0O4H/image-asset.jpeg</image:loc>
      <image:title>Work - SHIPWRECKED</image:title>
      <image:caption>Mock-up of WRECKED, 8x8x12", in the shop.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55daaf8ee4b0c42077577e0b/1483519306781-4G9LX0B4BE9AK9UUXCF9/IMG_6557.JPG</image:loc>
      <image:title>Work - SHIPWRECKED</image:title>
      <image:caption>WRECKED detail</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55daaf8ee4b0c42077577e0b/1489905196206-4AKSCR28N9GIF3S67TZ2/image-asset.jpeg</image:loc>
      <image:title>Work - SHIPWRECKED</image:title>
      <image:caption>SHIPWRECK, 6x16', acrylic on canvas covered panel, 2016 A ship divided does not float. This is very much a reaction to the 2016 election cycle.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55daaf8ee4b0c42077577e0b/1483520084985-D48RPOCY6IXZMWN4638C/image-asset.jpeg</image:loc>
      <image:title>Work - SHIPWRECKED</image:title>
      <image:caption>WRECKED detail</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55daaf8ee4b0c42077577e0b/1483520530582-YF0BN6CDO21GCSD27PF5/image-asset.jpeg</image:loc>
      <image:title>Work - SHIPWRECKED</image:title>
      <image:caption>Preparations for WRECKED install.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55daaf8ee4b0c42077577e0b/1483520304838-M0HUEXBP0T0K79YIDL2G/IMG_6549.JPG</image:loc>
      <image:title>Work - SHIPWRECKED</image:title>
      <image:caption>WRECKED detail</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55daaf8ee4b0c42077577e0b/1489770036804-MJNP4DFVYIII18KC9S6T/image-asset.jpeg</image:loc>
      <image:title>Work - SHIPWRECKED</image:title>
      <image:caption>MARITIME FLAGS 253, 63” tall flags made of fabric on plywood, 2016 With the mission of the Foss Waterway Seaport being all things maritime and working waterfront, I coupled that emphasis with the local pride of Tacoma which you can see on signs, stickers, clothing and more represented by the numbers and area code 253. Both the colors and design accurately reflect the reading of 253. I chose paisley patterns as the bent cedar, a shape repeated in the pattern, representing resistance.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55daaf8ee4b0c42077577e0b/1489770682434-MVDMKDE3V1BFVLS4GLEO/image-asset.jpeg</image:loc>
      <image:title>Work - SHIPWRECKED</image:title>
      <image:caption>S.O.S. 48x18x12”, concrete and steel, 2016 Based on the SHIPWRECKED theme and the pre and post election of 2016, this piece S.O.S. represents the feeling of helplessness and despair of those results in the moment. A new feeling has replaced that sentiment, that being of fierce resistance, rage, and action.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55daaf8ee4b0c42077577e0b/1489905394349-RRRJSS8GNKZGWANXUXZF/image-asset.jpeg</image:loc>
      <image:title>Work - SHIPWRECKED</image:title>
      <image:caption>S.O.S. detail prior to mounting on stand.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55daaf8ee4b0c42077577e0b/1489904667253-GB2HH05RVCR31TNUKUFG/image-asset.jpeg</image:loc>
      <image:title>Work - SHIPWRECKED</image:title>
      <image:caption>WRECKED, 8 x 10 x 12', wood, 2016 Below: Development of the work in the studio.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55daaf8ee4b0c42077577e0b/1489903792214-MTUH9PQ7BG88YFZ5V0LP/IMG_6437.jpg</image:loc>
      <image:title>Work - SHIPWRECKED</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55daaf8ee4b0c42077577e0b/1489903937520-QX1AWTKZ540KEC1AMDUE/IMG_6446.jpg</image:loc>
      <image:title>Work - SHIPWRECKED</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55daaf8ee4b0c42077577e0b/1489903893885-K98VLVMXC60NIMI8WM0J/IMG_6447.jpg</image:loc>
      <image:title>Work - SHIPWRECKED</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55daaf8ee4b0c42077577e0b/1489903986395-43T6MA4T1TT9WBWKEBGS/IMG_6458.jpg</image:loc>
      <image:title>Work - SHIPWRECKED</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55daaf8ee4b0c42077577e0b/1489904036598-04JPOSS48JVDRC0V2VNZ/IMG_6460.jpg</image:loc>
      <image:title>Work - SHIPWRECKED</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55daaf8ee4b0c42077577e0b/1489904126659-8SC6NXTBXHH637OOBF64/IMG_6465.jpg</image:loc>
      <image:title>Work - SHIPWRECKED</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55daaf8ee4b0c42077577e0b/1489904183289-15FE41EDNB53HNSYVMR4/IMG_6486.jpg</image:loc>
      <image:title>Work - SHIPWRECKED</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55daaf8ee4b0c42077577e0b/1489904208125-693CV0B9XG9VINDQ6EKW/IMG_6484.jpg</image:loc>
      <image:title>Work - SHIPWRECKED</image:title>
    </image:image>
  </url>
  <url>
    <loc>http://www.oldsart.com/work-1/migration-8dcm6</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-02-01</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55daaf8ee4b0c42077577e0b/1489860261977-D04SUULJCE94RWWBGO1S/image-asset.jpeg</image:loc>
      <image:title>Work - MIGRATION</image:title>
      <image:caption>SALVATION, 6x12x12’, 1200+ pounds of salt, 2017 There is a tremendous amount of global migration occurring at this time. One migration is occurring at the United States and Mexico border. For a sample size, the United States Border Patrol statistics show that from 2007-2012 there were 2,027 people who died trying to cross the southern border. This recorded number of deaths is certainly low as it only accounts for those whose bodies were found on US soil and does not account for those who perished on Mexican soil, those who were never found, or those exploited on either side of the border. The primary cause for these deaths is attributed to dehydration, exposure, and heat stroke. Using the US governmental data for the amount of deaths (2,027) and multiplying that by an average weight of a person in this region (150 lbs) and then multiplying that by the ratio of salt in the human body (.4%) equals 1216 pounds of salt. 2,027 x 150 x .004 = 1216.2 lbs This piece provides a visual representation of these migratory deaths by the salt content in their bodies. The top salt block is carved into a gallon of water something that could bring salvation for those trying to cross that dangerous and rugged landscape but would be toxic if ingested. The title also speaks to a salvation that people may be looking for in crossing the border. With the current political climate surrounding the issue of migration and immigration in the United States, this salvation might prove to be just as toxic for those in desperate needs and situations.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55daaf8ee4b0c42077577e0b/1489860651124-V0ST2IEI2HSU4MZEH851/image-asset.jpeg</image:loc>
      <image:title>Work - MIGRATION</image:title>
      <image:caption>INVISIBLE, 8x20’, wood and paint, 2017 I moved to Seattle in 1999 from Wisconsin via Colorado. Both of these previous locations had small homeless populations so it was a great shock to see so many people in the streets upon arrival. I could not help but to be aware and take notice everywhere I went. However, in time, the shock unfortunately wore off, and homelessness just sort of faded into the background. But recently, it would be impossible to miss the exponential growth of people living outdoors wherever I go. From underpass encampments to streets lined with RV’s, this is a population of people in a constant state of migration. The size of this piece speaks to the enormity of the problems. The choice to paint it the same color as the gallery wall and to light it lowly reflects how something so large and potentially jarring can fade into the background and exist as some sort of new normal. The RV is based on the unique angular design of a 1969 Winnebago found on local streets.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55daaf8ee4b0c42077577e0b/1489905974127-OWADN6RTMNZ2RUJA6G92/image-asset.jpeg</image:loc>
      <image:title>Work - MIGRATION</image:title>
      <image:caption>CURRENT, 7x20’, cement, 2017. 24 cement life preservers in total. cur·rent 1. belonging to present time; happening or being done now. 2. a body of water moving in a definite direction. CURRENT is based on the ongoing international migration of people crossing the Mediterranean Sea trading out one desperate situation for another. Based on recent UN numbers from the beginning of 2015 through October of 2016 there has been an estimated 7640 people who have drowned or gone missing trying to make the voyage. These numbers have been determined to be the lowest estimate possible. With that as a baseline number, each life preserver presented here represents, at the very least, 318 deaths in that time. With an estimated 37% of people making the trip being children, I cannot as a father, fathom the desperation it would take to have this be the best solution. The material and presentation here in the gallery is a memorial to those who have perished and a reminder of the hundreds of thousands of people who live in peril everyday and whose only “fault” was being born in a specific geographic location.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55daaf8ee4b0c42077577e0b/1489771822847-JQOF3H3YJN8Z0HGCG7O8/image-asset.jpeg</image:loc>
      <image:title>Work - MIGRATION</image:title>
      <image:caption>Gallery installation shot from left to right: CURRENT (cement), UNTITLED. UNKNOWN. (acrylic on canvas), and SALVATION (1200+ pounds of salt).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55daaf8ee4b0c42077577e0b/1489859667761-EE81CC6A0Z2SZPAHES7F/image-asset.jpeg</image:loc>
      <image:title>Work - MIGRATION</image:title>
      <image:caption>FLIGHT PATTERNS I, 60x60x2", acrylic on canvas, 2017</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55daaf8ee4b0c42077577e0b/1489860945006-1EXJHZSLBGSS1SYOQ9KM/image-asset.jpeg</image:loc>
      <image:title>Work - MIGRATION</image:title>
      <image:caption>FLIGHT PATTERNS I detail</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55daaf8ee4b0c42077577e0b/1489860899625-46B588UOHC9OZSLGKBEK/image-asset.jpeg</image:loc>
      <image:title>Work - MIGRATION</image:title>
      <image:caption>FLIGHT PATTERNS I detail</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55daaf8ee4b0c42077577e0b/1489906891464-MR8EBAOAECMRLVGOOZKG/image-asset.jpeg</image:loc>
      <image:title>Work - MIGRATION</image:title>
      <image:caption>FLIGHT PATTERNS (2 paintings and an audio/video component) behind SALVATION during install. Projector was ceiling mounted getting rid of any and all cords.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55daaf8ee4b0c42077577e0b/1489859331561-NVZHO9DRIK5JW6DAIBEM/image-asset.jpeg</image:loc>
      <image:title>Work - MIGRATION</image:title>
      <image:caption>UNTITLED. UNKNOWN. 54x84x2”, acrylic on canvas, 2017 UNTITLED. UNKNOWN. is a meditation on the metaphysical migration from life to death inspired by the unexpected passing of my mother in late December 2015.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.oldsart.com/work-1/roadside-attraction-yslfj</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-02-01</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55daaf8ee4b0c42077577e0b/1577560349540-XCBPBQK81GLODY9DUCGR/IMG_8085.jpg</image:loc>
      <image:title>Work - ROADSIDE ATTRACTION</image:title>
      <image:caption>ROADSIDE ATTRACTION Series Group A, 1999-2019. 18 - 18x24” prints. Edition of 10. Details below.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55daaf8ee4b0c42077577e0b/1577560664139-I337QFTDUL1USJRU6EEC/RA+Chinese+Takeout+WY+Final.jpeg</image:loc>
      <image:title>Work - ROADSIDE ATTRACTION</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55daaf8ee4b0c42077577e0b/1577560674706-SVYDUJT5RH7U14406GAF/RA09_Organ.jpg</image:loc>
      <image:title>Work - ROADSIDE ATTRACTION</image:title>
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      <image:title>Work - ROADSIDE ATTRACTION</image:title>
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      <image:title>Work - ROADSIDE ATTRACTION</image:title>
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      <image:title>Work - ROADSIDE ATTRACTION</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55daaf8ee4b0c42077577e0b/1577560905724-IT1D3X5EFD5OHUEL5EJU/RA07_CaliforniaTruckstop+Final.jpeg</image:loc>
      <image:title>Work - ROADSIDE ATTRACTION</image:title>
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      <image:title>Work - ROADSIDE ATTRACTION</image:title>
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      <image:title>Work - ROADSIDE ATTRACTION</image:title>
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      <image:title>Work - ROADSIDE ATTRACTION</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55daaf8ee4b0c42077577e0b/1577561639610-G7ANSRB44L30K0902UQ2/RAChairsWY+FINAL+copy.jpg</image:loc>
      <image:title>Work - ROADSIDE ATTRACTION</image:title>
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      <image:title>Work - ROADSIDE ATTRACTION</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55daaf8ee4b0c42077577e0b/1577561734718-OXLOFVW5RGD2XW8I67QR/RA+Kansas+Final.jpg</image:loc>
      <image:title>Work - ROADSIDE ATTRACTION</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55daaf8ee4b0c42077577e0b/1577561987108-N06BUFHGKGJVCB8N8BBB/IMG_8244.jpeg</image:loc>
      <image:title>Work - ROADSIDE ATTRACTION</image:title>
      <image:caption>LOST AND ROAMING Paintings from ROADSIDE ATTRACTION, 60x72” each, acrylic on canvas covered panel, 2019. These paintings are based on locations discovered off the highways and byways of the American West. Details below.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55daaf8ee4b0c42077577e0b/1577564047673-SH59YGNL0RZYVXEH7MYR/IMG_8066.jpg</image:loc>
      <image:title>Work - ROADSIDE ATTRACTION</image:title>
      <image:caption>LOST AND ROAMING Paintings from ROADSIDE ATTRACTION, 60x72’ each, acrylic on canvas covered panel, 2019. Details below.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55daaf8ee4b0c42077577e0b/1577563388851-TN9JF4W6E7C1MIQXGLKH/IMG_8611.jpg</image:loc>
      <image:title>Work - ROADSIDE ATTRACTION</image:title>
      <image:caption>LOST AND ROAMING 1, 60x72'“, acrylic on canvas covered panel, 2019.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55daaf8ee4b0c42077577e0b/1577563636866-43B99MTM02HT3H89Q7NU/IMG_8610.jpg</image:loc>
      <image:title>Work - ROADSIDE ATTRACTION</image:title>
      <image:caption>LOST AND ROAMING 2, 60x72”, acrylic on canvas covered panel, 2019.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55daaf8ee4b0c42077577e0b/1577564626475-TJMPXGASVIRFIC72ZDZS/_MG_8476.jpg</image:loc>
      <image:title>Work - ROADSIDE ATTRACTION</image:title>
      <image:caption>CALL ME WHEN YOU GET THERE (studio view), 36x96x24”, salvaged payphones, plywood, aluminum, plexiglass, cycling LED lighting, custom programmed audio tracks, 2019. Each phone is wired up to play the track CALL ME WHEN YOU GET THERE from the artist’s album ROADSIDE ATTRACTION. Each phone plays the song in one of the five most used languages worldwide when you pick up the receiver, reflecting the variances of universal truth. The song and phones represent the longing to connect with someone no matter the time, distance, or space, in this world or the next.</image:caption>
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      <image:title>Work - ROADSIDE ATTRACTION</image:title>
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      <image:title>Work - ROADSIDE ATTRACTION</image:title>
      <image:caption>ROADSIDE ATTRACTION, refurbished and repurposed jukebox, photos, original 13 track album, short story, 2019. The jukebox plays the album ROADSIDE ATTRACTION. Each track corresponds to a chapter of the short story of the same name. The text and music is currently set to photography but future iterations will have a graphic novel (currently in production) in place of the photos.</image:caption>
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      <image:title>Work - ROADSIDE ATTRACTION</image:title>
      <image:caption>DINER, repurposed and refinished diner booth, custom table with tabletop video screen playing Eggs Over Medium Across America, mixed media, 2019. For this piece, I ordered and recorded the eating of the same meal across the country. The meal was eggs over medium with bacon, potatoes, toast and coffee, often considered the classic American breakfast. While each meal was similar as each component was included, there were regional variances and subtle differences from place to place. This work delves into the idea of variations of universal truths. The video runs from one meal to the next from an overhead perspective documenting the eating of each meal. This lighthearted take on this idea is similar to the much heavier take found in Call Me When You Get There.</image:caption>
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